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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Saturday, September 4, 2010

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Hovering Bats Stay Aloft Using Swirling Vortices

Simplified representation of the strong vortices associated with the unsteady aerodynamics of bat flight at slow speeds. The vortices can be thought of as causing the surrounding air to rotate rapidly around them, and this motion around the LEV on top of the wing increases the lift force on it. Just like familiar, fixed-wing planes, the bat also leaves tip vortices in its wake, but the overall flow is further modified by the start vortices created at the beginning of the downstroke. (Credit: Image courtesy of University of Southern California)

Honey bees and hummingbirds can hover like helicopters for minutes at a time, sucking the juice from their favorite blossoms while staying aloft in a swirl of vortices.
But the unsteady air flows they create for mid-air suspension – which hold the secrets to tiny robotic flying machines -- have also been observed for the first time in the flight of larger and heavier animals, according to Prof. Geoffrey Spedding of the Department of Aerospace and Mechanical Engineering at the University of Southern California and his colleagues at Lund University, Sweden.

In a follow-up study of bat aerodynamics, appearing in the February 29, 2008 issue of Science, Spedding and co-authors F. T. Muijres, L.C. Johansson, R. Barfield, M. Wolf and A. Hedenstrom were able to measure the velocity field immediately above the flapping wings of a small, nectar-eating bat as it fed freely from a feeder in a low-turbulence wind tunnel.

Researchers used a wind tunnel at Lund University specially crafted for research on bird flight on bats. Birds fly “at the spot” against a headwind, allowing detailed investigation of wing movements using high speed video cameras. It’s also possible to visualize the vortices around the wings and in the wake using fog as tracer particles.

“Thanks to a very reliable behavior pattern where bats learned to feed at a thin, sugar-filled tube in the wind tunnel, using the same flight path to get there every time, and the construction of side flaps on the feeder tube, we could make observations with bright laser flashes right at mid-wing without harming the bats,” Spedding reported in a commentary about the study. “Before this, we had no direct evidence of how the air moved over the wing itself in these small vertebrates.”

The researchers’ findings challenge quasi-steady state aerodynamic theory, which suggests that slow-flying vertebrates should not be able to generate enough lift to stay above ground, said Spedding, a professor of aerospace and mechanical engineering in the USC Viterbi School of Engineering.

Using digital particle image velocimetry, the researchers discovered that Pallas’ long-tongued bat, Glossophaga soricina, increased its lift by as much as 40 percent using a giant and apparently stable, re-circulating zone, known as a leading-edge vortex (LEV), which completely changed the effective airfoil shape.

How can the bats generate such high lift? One of the team members and lead author of the new study, Florian Muijres, explains: "The high lift arises because the bats can actively change the shape (curvature) by their elongated fingers and by muscle fibers in their membranous wing. A bumblebee cannot do this; its wings are stiff. This is compensated for by the wing-beat frequency. Bats beat their wings up to 17 times per second while the bumblebee can approach 200 wing-beats per second."

“The air flow passing over the LEV of a flapping wing left an amazingly smooth and ordered laminar disturbance at the trailing edge of the wing, and the LEV itself accounted for at least a 40 percent increment in lift,” Spedding noted in his commentary, “Leading Edge Vortex Improves Lift in Slow-Flying Bats.” The LEV makes a strong lift force, but it may be equally important that the smooth flow behind it may be associated with low, or at least not increased, drag.

“The sharp leading edge of the bat wing generates the LEV,” Spedding said, “while the bat’s ability to actively change its wing shape and wing curvatures may contribute to control and stability in the leading-edge vortex.”

Spedding and his colleagues believe observations of LEVs in active, unrestricted bat flight have important implications for overall aerodynamic theory and for the design of miniature robotic flight vehicles, which have been undergoing dramatic modifications in recent years.

“There’s much to be learned from bat flight about unsteady flows and forces on small bodies,” Spedding said. “We have suspected for a while that insects weren’t the only creatures affected by highly unsteady viscous air flows, but now we know that larger animals adapted for slow and hovering flight, such as these nectar-feeding bats, can – and perhaps must – use LEVs to enhance flight performance. So, if we wish to build a highly maneuverable, slow-flying surveillance plane, maybe it should flap its wings like a bat?”

The paper in Science is: Leading-Edge Vortex Improves Lift in Slow-Flying Bats, authors are F T Muijres, L C Johansson, R Barfield, M Wolf, G R Spedding and A Hedenström.

Thursday, February 5, 2009

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AP alleges copyright infringement of Obama image

A poster of President Barack Obama, right, by artist Shepard Fairey is shown for comparison with this …






NEW YORK – On buttons, posters and Web sites, the image was everywhere during last year's presidential campaign: A pensive Barack Obama looking upward, as if to the future, splashed in a Warholesque red, white and blue and underlined with the caption HOPE.
Designed by Shepard Fairey, a Los-Angeles based street artist, the image has led to sales of hundreds of thousands of posters and stickers, has become so much in demand that copies signed by Fairey have been purchased for thousands of dollars on eBay.

The image, Fairey has acknowledged, is based on an Associated Press photograph, taken in April 2006 by Manny Garcia on assignment for the AP at the National Press Club in Washington.
The AP says it owns the copyright, and wants credit and compensation. Fairey disagrees.
"The Associated Press has determined that the photograph used in the poster is an AP photo and that its use required permission," the AP's director of media relations, Paul Colford, said in a statement.
"AP safeguards its assets and looks at these events on a case-by-case basis. We have reached out to Mr. Fairey's attorney and are in discussions. We hope for an amicable solution."
"We believe fair use protects Shepard's right to do what he did here," says Fairey's attorney, Anthony Falzone, executive director of the Fair Use Project at Stanford University and a lecturer at the Stanford Law School. "It wouldn't be appropriate to comment beyond that at this time because we are in discussions about this with the AP."
Fair use is a legal concept that allows exceptions to copyright law, based on, among other factors, how much of the original is used, what the new work is used for and how the original is affected by the new work.
A longtime rebel with a history of breaking rules, Fairey has said he found the photograph using Google Images. He released the image on his Web site shortly after he created it, in early 2008, and made thousands of posters for the street.

As it caught on, supporters began downloading the image and distributing it at campaign events, while blogs and other Internet sites picked it up. Fairey has said that he did not receive any of the money raised.
A former Obama campaign official said they were well aware of the image based on the picture taken by Garcia, a temporary hire no longer with the AP, but never licensed it or used it officially. The Obama official asked not to be identified because no one was authorized anymore to speak on behalf of the campaign.

The image's fame did not end with the election.
It will be included this month at a Fairey exhibit at the Institute of Contemporary Art in Boston and a mixed-media stenciled collage version has been added to the permanent collection of the National Portrait Gallery in Washington.
"The continued use of the poster, regardless of whether it is for galleries or other distribution, is part of the discussion AP is having with Mr. Fairey's representative," Colford said.
A New York Times book on the election, just published by Penguin Group (USA), includes the image. A Vermont-based publisher, Chelsea Green, also used it — credited solely to Fairey_ as the cover for Robert Kuttner's "Obama's Challenge," an economic manifesto released in September. Chelsea Green president Margo Baldwin said that Fairey did not ask for money, only that the publisher make a donation to the National Endowment for the Arts.
"It's a wonderful piece of art, but I wish he had been more careful about the licensing of it," said Baldwin, who added that Chelsea Green gave $2,500 to the NEA.
Fairey also used the AP photograph for an image designed specially for the Obama inaugural committee, which charged anywhere from $100 for a poster to $500 for a poster signed by the artist.
Fairey has said that he first designed the image a year ago after he was encouraged by the Obama campaign to come up with some kind of artwork. Last spring, he showed a letter to The Washington Post that came from the candidate.
"Dear Shepard," the letter reads. "I would like to thank you for using your talent in support of my campaign. The political messages involved in your work have encouraged Americans to believe they can help change the status quo. Your images have a profound effect on people, whether seen in a gallery or on a stop sign."

At first, Obama's team just encouraged him to make an image, Fairey has said. But soon after he created it, a worker involved in the campaign asked if Fairey could make an image from a photo to which the campaign had rights.
"I donated an image to them, which they used. It was the one that said "Change" underneath it. And then later on I did another one that said "Vote" underneath it, that had Obama smiling," he said in a December 2008 interview with an underground photography Web site.

Saturday, January 31, 2009

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Unique stamps on world’s natural treasures on display

"Collector’s delight: A visitor takes a look at the stamps displayed at a thematic exhibition that opened in Chennai on Thursday."


CHENNAI: Every stamp displayed at the hall had a message to convey — protect the environment. Visitors to the thematic exhibition that opened in the city on Thursday got a glimpse into the natural treasures of the world and were educated about the need to preserve them.
Organised by South India Philatelists’ Association and Tamil Nadu Centre of ABK-AOTS Dosokai on the centre’s premises, to mark World Environment Day, the exhibition featured the collection of 11 philatelists under different themes.
Every inch of the wall was covered by a whopping number of over 8,000 stamps mounted in frames.
The collection of ABK-AOTS Dosokai’s chairman M.R.Ranganathan outlined the various causes of global warming, including deforestation and industrial pollution, and its consequences. The remedy and the global action to tackle the problem were also suggested through the stamps.
Gaurav Sethia, a school student, had an interesting collection on marine life in various countries such as Canada and Vietnam.
The stamps on rare species were accompanied by information on the marine life such as Gentoo Penguin is the fastest swimming bird.
Naturalist T.Murugavel’s collection on conservation of nature traced the history of mankind’s changing relationship with environment and degradation of natural resources. “I have added the adhesive of stamps on Koala bears printed in Australia as it also had the image of animal printed,” he said.
While butterflies dominated Norean Singh Nahar’s collection, others featured various kinds of pollution and flora and fauna.
South India Philatelists’ Association’s president G.Balakrishna Das said one of the participants had matched the stamps with photographs of the endangered species in his collection.
Earlier, inaugurating the exhibition, Principal Chief Postmaster General Indira Krishnakumar said the Postal Department created awareness of environmental conservation through release of stamps. Chief Conservator of Forests (Research) R.K.Ojha and Exnora International founder M.B.Nirmal participated in the programme.
The exhibition, which is open from 10 a.m. to 7 p.m. till Saturday, also has a dealers’ booth to facilitate purchase of stamps.



Three-day thematic stamp exhibition features some rare collections.